Julius Rooymans

The two-dimensionality is broken by playing with the question of what is shown outside the square frame. His work breaks the standard and dismantles the surface, tells about another world. Viewers are like a ballet dancer who has turned too many pirouettes: the image is discolored, perverted, appears to be incorrect, but at the same time looks fabulous. That is the essence of the work: wonder. The pleasure with which a story is told, playing impossibilities.