Bryan Tanori

Background

About Bryan Tanori

From architecting and engineering media servers, too finding time to keep up with editing, remote media workflow designs and pipelines, to managing post-production teams across multiple company networks and systems, everyday is a new challenge that I embrace with an open mind. Change is inevitable. Experience is earned. Adapting to consistent change through my experience has enabled me to bring extensive knowledge and understanding of how to effectively build, deploy, create and maintain a vast amount of information on a daily basis. My experiences has taken me through the video production/post-production, marketing, advertising, corporate communications, and public relations businesses. I have worked closely to create media networks for a vast array of established corporate, health/wellness, tech, and music clients including SharkNinja, UCLA Health, HITACHI, ARRI, Canon, SONY, Ricoh, DELL, Synchrony Financial, General Electric, GAIAM, INVOCA, BUZZFEED, Wonderful Company, Universal Music Group, Capital Records, HFactor, Tiffen, City of Malibu, and Toyota. Recent projects over the past 4 years have put me in a position to maintain and build multi-media creative and post-production platforms for corporations in which assets across all platforms exceed $500 million in stored data throughout hyperscaled global networks, with daily managed files throughout multiple platforms ranging from 20-30 million unique work in progress, delivered and archival files. In staying up to date with progressions in the industry, I am always looking to learn and grow in my craft. With a push in AI, now partnering with several AI companies to focus on building, implementing, and deploying enterprise AI systems, I am garnering more experience in helping companies streamline their workflows in that media divisions can find, create, and utilize content more efficiently and unlock valuable streams of information through the hundreds of hours of content they have accumulated. Overall, it is my goal to help teams enhance their metadata to pinpoint quality content in a matter of minutes, saving them millions in time and resources. As a Documentary DP, I have trained using a wide range of cinema cameras from ARRI to Sony. As a Global Systems Manager, I work with mainly with Edit Share Servers, iconik, AWS, Backblaze, Lucid Link, Teradici and Parsec to connect teams worldwide; well versed with working with in house IT and Security teams to build robust workflows through company VPN networks; to post-production software Final Cut Pro, DaVinci Resolve, and Adobe Creative Cloud.