Verified recordPerforming Arts

de Los Reyes

Stage Manager at East Bay Center For The Performing Arts

Based in San Francisco, United States

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Seniority

Manager

Department

Operations

Location

San Francisco

Industry

Performing Arts

Company size

66

Contact information

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Email

1 credit

d•••••••@eastbaycenter.org

Phone

5 credits

+1 ••• •••• ••••

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Background

About de Los Reyes

A multimedia artist, Fe started her professional career in 1979 as a member of Music and Magic, the Philippine's premier showband in the 80's, credited with highly successful performances in Manila, the Asian circuit and North American cities. She turned solo in 1987 and became much sought for her unique one-woman comedy cum dance-musical acts, acts that she updates and performs to this day. She's appeared in top venues like Carnegie Hall, MGM Grand, SF Civic Center, Shrine Auditorium, and many more. Staying true to her filipino roots, she's reached out to a diverse world audience, easily wowing crowds from 200 to As a working student, Fe divided her time with studies, the Ateneo Glee Club, and singing backup for then-unknown Kuh Ledesma who later became a top recording star and "Pop Diva." After graduating and earning a degree in A.B. Economics, Fe plunged headlong into a career as an entertainer with Kuh's back-up band. The band came into its own as the Music and Magic, and for the next seven years became the Philippines' number one showband. The group disbanded in 1986 when Fe and band members decided to launch solo careers.From the outset, Fe's career stood out as exceptional and most exciting. Hers was a total act combining stand-up comedy with singing and dancing, a genre known as "comedy cabaret". The proponents of this art form are largely American-Carol Burnett, Bette Midler and Lily Tomlin, to name a few. From this influence, she infused her pinoy brand of humor to claim a style that's uniquely her own. Fe has starred in several feature films and television shows in the Philippines where she has exhibited high professional standards, rare artistry and exemplary discipline. As a professional in film, this included jobs stretching the gamut from acting to drama coach for the lead actors in the preliminary workshops conducted to prepare the actors for their roles. She is conversant both in the Viola Spolin and Eric Morris approach to acting.

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