Eva Cividini
Insegnante at Scuola Professionale D'arte Muraria Srl Impresa Sociale
Based in Milan, Italy
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Seniority
Staff
Department
Education
Location
Milan
Industry
Professional Training and Coaching
Company size
20
Contact information
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e•••••••@scuolamuraria.it
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Background
About Eva Cividini
Saper fare Architettura è essere progettista di Emozioni: penso che la qualità progettuale sia l’atmosfera che porta comprensione immediata o immediato rifiuto. Primordiale immagine di Architettura è la capanna, espressione del bisogno di riparo traducibile con la parola “Eco”, “casa”. La base del mio interesse per l'Architettura risale alle due discipline imprenscindibili all’oggi: Ecologia ed Economia, stabili fondamenta su cui costruire un nuovo ciclio di vita per le nostre eredità architettoniche. Ciò va fatto coniugando materiali e tecniche passati a tecnologie e risorse future per donare un nuovo volto al presente. Knowing how to make architecture means knowing how to build emotions. I think that the quality of a project is about the atmosphere in which it is able to create. It is the first sensation you get from a space that brings you to immediate understanding or rejection.The first image of architecture is the hut; expressing the need of security strictly linked to the word “eco”, “home”.In my opinion, Economy and Ecology are the basis of architecture nowadays.They are the foundations in which we have to build a new life cycle for our heritage.To give a new face to the present is done by using old materials and techniques as well as future technologies and resources. Faire de l’architecture veut d’abord dire savoir projeter des émotions. A mon avis, la qualité d’un projet est liée à l’atmosphère qu'amène soit à une compréhension soit à un rejet immédiat. La première image qu’on a de l’architecture est la cabane, symbole du besoin d’abri auquel est lié le mot « Eco »,« maison ». Ecologie et économie sont les deux disciplines indispensables d’aujourd’hui par lesquelles mon intérêt pour l’architecture est né. Elles représentent la base d’un nouveau cycle de vie pour notre patrimoine et héritage architectural. Pour faire ça il faut conjuguer matériau et technicités du passé aux technologies et ressources de l’avenir pour donner un nouvel aspect au présent.
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