Craig Morrison Studio

Lights, off, flashing, on, off, white, bright, noise, blaring bodies, rows of skin, moving, thin air, on the ceiling, dripping wet and humming, heartbeats thumping, faster, faster, spiking every second, every rhythm, every drums beat, bit by bit, by bit and biting teeth start chattering inside the skulls to the sound of what it means to be a body in a crowd. The sound, everywhere, and we scatter, dancing like insects. Moving like liquid. Screaming. Cheering. Feeling everything. Skin as soft as rubber. We shine with sweat. It’s dripping. From our heads, down our spines. Finding a space in the crowd, and it’s London, 1989. A time of rebellion. Subversion. Shape shifting. Since conception, our stakes have been rooted in the city’s underground punk and rave scene - with pieces worn on the backs of those who danced towards the turn of the millennium. We have always valued the voracious. With pieces held in the Victoria & Albert Museum's permanent collection and featured in The New Yorker, iD Magazine and British Vogue - Craig Morrison Studios are waking up after thirty years of development. We’re ready for the next party. Initially designed as stage pieces for techno band Meat Beat Manifesto, our spiky bags, one-off runway couture and furniture, have been a key point of reference for London’s design history, and continue to inform designers of today. This year, with creative direction from Craig Morrison himself, his daughters Hattie Morrison and Leia Morrison are releasing the cult-classic designs with contemporary adjustments that follow the same ethos and spine-like silhouettes.